Wednesday, July 01, 2009
Friday, June 26, 2009

Let it die and get out of my mind
We don't see eye to eye
Or hear ear to ear
Don't you wish that we could forget that kiss
And see this for what it is
That we're not in love
The saddest part of a broken heart
Isn't the ending so much as the start
It was hard to tell just how I felt
To not recognize myself
I started to fade away
And after all it won't take long to fall in love
Now I know what I don't want
I learned that with you
The saddest part of a broken heart
Isn't the ending so much as the start
The tragedy starts from the very first spark
Losing your mind for the sake of your heart
The saddest part of a broken heart
Isn't the ending so much as the start
Labels:
feist,
let it die,
yourmoneyshot.blogspot.com
Wednesday, June 10, 2009
my dad used to tell my brothers and i that "black clouds are our friend" to calm us down during a storm.
sometimes, when things are going wrong, or life is just not making sense, i remember what he said. because even when it's storming, things will look up and it only makes us stronger.
my friends, and myself, are going through some heavy feelings right now.
it doesn't make sense, but i only hope for the best for all of us.
my friend, amanda lee, once said to me "we only live once, so why can't we just make the best of it."
i'm taking her advice and walking through this sorrow with my head up.
♥
the end.
sometimes, when things are going wrong, or life is just not making sense, i remember what he said. because even when it's storming, things will look up and it only makes us stronger.
my friends, and myself, are going through some heavy feelings right now.
it doesn't make sense, but i only hope for the best for all of us.
my friend, amanda lee, once said to me "we only live once, so why can't we just make the best of it."
i'm taking her advice and walking through this sorrow with my head up.
♥
the end.
Friday, May 29, 2009
Through mostly vacant streets, a baker from the outskirts of his town
Earned his living peddling sweets from the ragged cart he dragged around.
The clever fox crept close behind, kept an ever-watchful eye
For a chance to steal a ginger spice cake or a boysenberry pie.
Looking down was the hungry crow, "When the time is right, I'll strike
And condescend to the earth below and take whichever treat I'd like."
The moment the baker turned around to shoo the fox off from his cart,
The crow swooped down and snatched a shortbread cookie and a German chocolate tart.
Using most unfriendly words that the village children had not yet heard,
the baker shouted threats by canzonette to curse the crafty bird.
"You rotten wooden mixing spoon! Why you midnight winged racoon!
You better bring those pastries back, you no-good burned-black macaroon!"
The fox approached the tree where the bird was perched, delighted in his nest.
"Brother Crow, don't you remember me? It's your old friend Fox with a humble request.
If you could share just a modest piece, seeing as I distracted that awful man."
This failed to persuade the crow in the least, so the fox rethought his plan.
"Then if your lovely song would grace my ears, or to even hear you speak,
Would ease my pains and fears." The crow looked down with a candy in his beak.
"Your poems of wisdom, my good crow, what a paradise they bring!"
This flattery pleased the proud bird, so he opened his mouth and began to sing:
"Your subtle acclamation's true! Best to give praise where praise is due.
Every rook and jay in the Corvidae's been raving about me too.
They admire me, one and all. Must be the passion in my caw!
My slender bill known through the escadrille, my fierce commanding claw!"
I got a walnut brownie brain, and molasses in my veins,
Crushed graham cracker crust, my powdered sugared funnel cake cocaine.
Let the crescent cookie rise. These carob colored almond eyes
Will see my cashewed princess in the swirling marble sky.
Will rest upon the knee, where all the visions cease to be
A root beer float in our banana boat across the tapioca sea.
When letting all attachments go, is the only prayer we know,
May it be so, may it be so, may it be so, oh.
Earned his living peddling sweets from the ragged cart he dragged around.
The clever fox crept close behind, kept an ever-watchful eye
For a chance to steal a ginger spice cake or a boysenberry pie.
Looking down was the hungry crow, "When the time is right, I'll strike
And condescend to the earth below and take whichever treat I'd like."
The moment the baker turned around to shoo the fox off from his cart,
The crow swooped down and snatched a shortbread cookie and a German chocolate tart.
Using most unfriendly words that the village children had not yet heard,
the baker shouted threats by canzonette to curse the crafty bird.
"You rotten wooden mixing spoon! Why you midnight winged racoon!
You better bring those pastries back, you no-good burned-black macaroon!"
The fox approached the tree where the bird was perched, delighted in his nest.
"Brother Crow, don't you remember me? It's your old friend Fox with a humble request.
If you could share just a modest piece, seeing as I distracted that awful man."
This failed to persuade the crow in the least, so the fox rethought his plan.
"Then if your lovely song would grace my ears, or to even hear you speak,
Would ease my pains and fears." The crow looked down with a candy in his beak.
"Your poems of wisdom, my good crow, what a paradise they bring!"
This flattery pleased the proud bird, so he opened his mouth and began to sing:
"Your subtle acclamation's true! Best to give praise where praise is due.
Every rook and jay in the Corvidae's been raving about me too.
They admire me, one and all. Must be the passion in my caw!
My slender bill known through the escadrille, my fierce commanding claw!"
I got a walnut brownie brain, and molasses in my veins,
Crushed graham cracker crust, my powdered sugared funnel cake cocaine.
Let the crescent cookie rise. These carob colored almond eyes
Will see my cashewed princess in the swirling marble sky.
Will rest upon the knee, where all the visions cease to be
A root beer float in our banana boat across the tapioca sea.
When letting all attachments go, is the only prayer we know,
May it be so, may it be so, may it be so, oh.
Sunday, May 10, 2009
Saturday, May 09, 2009

Roald Dahl was a best-selling British fiction writer whose book sales numbered close to 100 million copies. He is best known as the author of several children's books, notably Charlie and the Chocolate Factory and James and the Giant Peach. However he also turned his talents to adult tales which feature perverse characters, twisted plots and surprise endings. Dahl lived an adventurous life, the equal of any of his characters, as a Shell oil executive in Tanganyika, RAF pilot in WWII, and British intelligence agent in Washington DC. It was only until after he met one of his favorite author's from childhood, C.S. Forester, who encouraged him into the world of creative writing. Some of the most valuable information i have learned from this man about becoming a children's author is this:
"1. You should have a lively imagination.
2. You should be able to write well. By that I mean you should be able to make a scene come alive in the reader's mind. Not everybody has this ability. It is a gift, and you either have it or you don't.
3. You must have stamina. In other words, you must be able to stick to what you are doing and never give up, for hour after hour, day after day, week after week, and month after month.
4. You must be a perfectionist. That means you must never be satisfied with what you have written until you have rewritten it again and again, making it a good a you posibly can.
5. You must have strong self-dicipline. You are working alone. No one is empoying you. No one i around to fire you if you don't turn up for work, or to tick you off if you start slacking.
6. It helps a lot if you have a keen sense of humor. This is not essential when writing for grown-ups, but for children, it's vital.
7. you must have a degree of humility. The writer who thinks his work is marvelous is heading for trouble."
--"Lucky Break"
♥
the end.
Friday, May 08, 2009



i have a new obsession with Gerda Steiner and Jörg Lenzlinger who are known to be two of the most sucessful contemporary Swiss artists. The pair bring together made and found objects to create extravagant, magical installations that are full of fantasy, beauty, and wonder.
i hope to one day be able to see these installations in person.
♥
the end.
Thursday, May 07, 2009
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